English
Language
  • தமிழ் - India
  • తెలుగు
  • हिन्दी
  • English

Chants, Hymns, and Songs

Click on any link below to learn more and listen to audio

( All links are in Tamil, unless otherwise specified )

* More talks are available on the Ashram Youtube Channel and under the “Talks” Playlist

Tamil Parayana

Tamil Parayana 

(The Poetic Works of Bhagavan Sri Ramana Maharshi)

Bhagavan Sri Ramana Maharshi’s Tamil compositions are revered by scholars of Tamil literature as works of literary genius. Beyond that, Bhagavan had the extraordinary ability to compress into a few words the full breadth of the Upanishadic realization and his own direct experience of it. It is these verses and compositions that are chanted daily at Sri Ramanasramam. Today at Sri Ramanasramam PARAYANA, it is sung from 6.30 pm to 7.15 pm. The current hymns follow a weekly cycle. The daily PARAYANA hymns are available in MP3 audio format, with the lyrics transliterated in English and Tamil.

Monday - 

Sri Arunachala Stuti Panchakam

Download

Play Online

Lyrics

Tamil

English

Arunachala Mahatmyam.Mp3

00:00
  • 11arunachala_mahatmiyam
    00:00

Arunachala Aksharamanamalai

00:00
  • 12arunachala_aksharamanamalai
    00:00

Arunachala Navamanimalai.Mp3

00:00
  • 13arunachala_navamanimalai
    00:00

Arunachala Padhikam.Mp3

00:00
  • 14arunachala_pathigam
    00:00

Arunachala Ashtakam.Mp3

00:00
  • 15arunachala_ashtakam
    00:00

Arunachala Pancharatnam.Mp3

00:00
  • 16arunachala_pancharatnam
    00:00

Arunachala Ramanan

00:00
  • 17arunachala_ramanan
    00:00

Vazhthu.Mp3

00:00
  • 18vazhthu
    00:00

Tuesday - Upadesa Noon Malai

Download

Play Online

Lyrics

Tamil

English

Upadesa Undiar.Mp3

00:00
  • 21upadesa_undiyar
    00:00

Ulladu Narpadu.Mp3

00:00
  • 22ulladhu_narpadhu
    00:00

Ulladu Narpadu Anubandam

00:00
  • 23ulladhu_narpadhu_anubandham
    00:00

Arunachala Pancharatnam.MP3

00:00
  • 24arunachala_pancharatnam
    00:00

Arunachala Ramanan

00:00
  • 25sri_arunachala_ramana
    00:00

Vazhtu.MP3

00:00
  • 26vazhthu
    00:00

Wednesday – 

Noon Malai

Download

Play Online

Lyrics

Tamil

English

Ekanma Panchakam

00:00
  • 31eganma_panchakam
    00:00

Appala Pattu.Mp3

00:00
  • 32appalappattu
    00:00

Anma Viddai.Mp3

00:00
  • 33anma_vidya_keerthanam
    00:00

Devikalottaram.Mp3

00:00
  • 34devikalothram
    00:00

Arunachala Pancharatnam

00:00
  • 35arunachala_pancharatnam
    00:00

Arunachala Ramanan

00:00
  • 36arunachala_ramanan
    00:00

Vazhtu.MP3

00:00
  • 37vazhthu
    00:00

Thursday – 

Anuvada Noon Malai

Download

Play Online

Lyrics

Tamil

English

Atma Sakshatkara Prakaranam.Mp3

00:00
  • 41athma_sakshatkaraprakaranam
    00:00

Bhagavad Gita Saram.Mp3

00:00
  • 42bhagavath_geetha_saram
    00:00

Arunachala Pancharatnam.MP3

00:00
  • 43arunachala_pancharatnam
    00:00

Arunachala Ramanan.MP3

00:00
  • 44arunachala_ramanan
    00:00

Vazhtu.MP3

00:00
  • 45vazhthu
    00:00

Friday – 

Anuvada Noon Malai

Download

Play Online

Lyrics

Tamil

English

Sri Dakshinamurthy Stotram.Mp3

00:00
  • 51sri_dakshinamoorthy_thothiram
    00:00

Anma Bodham.Mp3

00:00
  • 52anma_bodham
    00:00

Sri Guru Stuti.Mp3

00:00
  • 53gurusthuthi
    00:00

Sri Hastamalakam.Mp3

00:00
  • 54aththamalagam
    00:00

Arunachala Pancharatnam.MP3

00:00
  • 55arubachala_pancharathnam
    00:00

Arunachala Ramanan

00:00
  • 56arunachala_ramanan
    00:00

Vazhtu.MP3

00:00
  • 57vazhthu
    00:00

Saturday – 

Sri Ramana Stuti Panchakam

Download

Play Online

Lyrics

Tamil

English

Kalai Pattu.Mp3

00:00
  • 61kalai_pattu
    00:00

Kummi Pattu.Mp3

00:00
  • 62gummi_pattu
    00:00

Ponnolir Pathu.Mp3

00:00
  • 63ponnolir_pathu
    00:00

Ponnaiyotha Pathu

00:00
  • 64ponnaiyoththa_pattu
    00:00

Sri Ramana Sadguru

00:00
  • 65sri_ramana_sathguru
    00:00
Fifteen Day Tamil Parayana

Fifteen-Day Cycle of the Tamil Prayana

The recitation of sacred texts at Sri Ramanasramam goes back to the early days at Skandasramam. Bhagavan regularly initiated chanting of the Ribhu Gitai as well as other classical advaitic texts. He encouraged chanting of devotional poetry such as Thevaram of Sundarar, Appar, Jnanasambandar, and Manickavachakar, whose Tiruvachakam devotees recited throughout the night on the occasion of the Mahasamadhi of Bhagavan’s mother in May 1922.

By the late 1940s, the poetical works of Bhagavan were added to the Ashram repertoire, which included works of other saints and devotees, forming a fifteen-day cycle starting and ending with Thevaram. Recitations were compiled in a notebook and kept in the Old Hall. Those wishing to chant them would copy them out by hand and join in the group chanting in Bhagavan’s presence in the evenings at 6.45 p.m. If requested, Bhagavan would copy out the notebook himself for devotees’s use. (One such notebook has been published as ‘The Works of Bhagavan in His Own Handwriting’). Devotees like Kunjuswami, Devaraja Mudaliar, Ramaswami Pillai, Somasundaram Pillai, K.Natesan, Thoppayya Mudaliar, Rangaswami, Annamalai Swami, Vadivudayar, Sivananda Swami, T.K. Sundaresa Iyer, T.P. Ramachandra Iyer, and a few others, during their stay in the ashram, would sit in two groups and chant antiphonally, each side reciting alternately as in the regular Vedaparayana.

For a few years following Bhagavan’s Mahasamadhi, the Tamil Parayana was held twice daily in the Old Hall at 7.30 a.m. and 6.15 p.m. For the past two decades, it has been chanted as a weekly cycle (except Sundays) in Bhagavan’s Samadhi Hall each evening at 6.30 p.m. In the mid-1960s, Smt. Mangalam, Smt. Saraswati, and Sri V. Ganesan made recordings of the group recitations, which were later digitized and edited. These edited recordings are now being included in an upcoming audio release of the fifteen-day cycle of the Tamil Parayana, two thirds of which consist of recordings of Kunjuswami and the other old devotees mentioned above (six in all). The present upload is a copy of the same.

Audio

Download

Play Online

Day 1
(Pancharatnam, Thevaram - Sambandhar, Appar, Sundarar)

00:00
  • day01
    00:00

Day 2
(Arunachala Tatvam, Arunachala Akshara manamalai)

00:00
  • day02
    00:00

Day 3
(Arunachala Navamanimalai; Padikam and Ashtakam, Appala pattu, Anma Viddai)

00:00
  • day03
    00:00

Day 4
(Upadesa Saram – Tamil, Malayalam, Telugu and Sanskrit versions)

00:00
  • day04 -1-
    00:00

Day 5
(Ulladu Narpadu + supplement)

00:00
  • day05 -1-
    00:00

Day 6 

(Sat Darsanam + 

supplement - Malayalam)

00:00
  • day06 -1-
    00:00

Day 7 

(Devikalottaram)

00:00
  • day07 -1-
    00:00

Day 8 

(Sarvajnanottaram, Guru Stuti, Hastamalakam)

00:00
  • day08 -1-
    00:00

Day 9
(Gita Saram + Tamil Malayalam and Sanskrit versons)

00:00
  • day09 -1-
    00:00

Day 10
(Anma Bodham, Ekatma Panchakam)

00:00
  • day10 -1-
    00:00

Day 11
(Vivekachudamani, Sivananda Lahari, Dakshinamurti Stotram (Sanskrit + Tamil) and songs of Tayumanavar)

00:00
  • day11 -1-
    00:00

Day 12 

(Ramana Stuti Panchakam)

00:00
  • day12 -1-
    00:00

Day 13
(Ramana Satguru Malai, Deva Malai of Sivaprakasam Pillai)

00:00
  • day13 -1-
    00:00

Day 14
(Ramana Deva Malai, 

Vinnappam of S.Pillai)

00:00
  • day14 -1-
    00:00

Day 15
(Pada Malai of S.Pillai,

 Tiruchuli Thevaram)

00:00
  • day15 -1-
    00:00
Sannadhi Murai Audio (Mrs. Mahalakshmi Suryanandan)

Sannidhi Murai

Sri Bhagavan wrote a Prefatory Verse to the Sannidhi Murai of Muruganar, hailing it as equal to Tiruvachakam of Manikkavachakar and as contributing to the spiritual uplift of mankind. (Moments Remembered, Ch. 8)

The Sannidhi Murai is sung in three formats:

In the Tamil pann-metre, as done by traditional temple odhuvars With musical accompaniments, many of Muruganar’s works are now available on CD, DVD, and audio cassettes, produced by the Ramana Maharshi Centre for Learning in Bangalore.

In Karnatic classical Ragas (metre) – the present upload of about 3/4th of

 Sannidhi Murai are sung by:

  • Mrs. Mahalakshmi Suryanandan, daughter of Prof. K. Swaminathan, who has been leading the group of Bhagavan’s devotees who sing on Purnavasu days at Sri Ramanasramam for the past three decades.
  • Ramana Maharshi Centre for Learning of Bangalore-Ramananjali Group led by Smt.Sulochana Natarajan and a traditional temple, Odhuvar Sri.Sadgurunadan,Chennai-Mylapore,Kapaliswar Temple.

The title, number of the song, and its raga are added as a prefix to the audio to enable the practice of singing along with the book 

(for item-A), while the visual display indicates the title and the number of the songs.

Sannadhi Murai Audio (Sargurunatha Odhuvar)

Sannidhi Murai Audio

Sri Bhagavan wrote a Prefatory Verse to the Sannidhi Murai of Muruganar, hailing it as equal to Tiruvachakam of Manikkavachakar and as contributing to the spiritual uplift of mankind. (Moments Remembered, Ch. 8)

Annamalai Venba

Annamalai Venba

Of the many saints and sages of Tiruvannamalai, Guru Namasivayar and his guru, Guhai Namasivayar, are widely known in Tamil land. Annamalai Venba, in Tamil, was one of the traditional works referred to by Bhagavan Ramana.

Jnana Tapodanarai Vaa Endru Azhaikkum malai Annamalai ‘Welcome, welcome sages Annamalai to those who do penance for Jnana‘ is a verse from this venba very dear to the Arunachala and Bhagavan Ramana devotees.

The present chanting is by Sri J.Jayaraman the Ashram Librarian (Text accompanied)

Audio

Download

Play Online

PDF

Annamalai Venba Song

00:00
  • annamalaivenbachants -1-
    00:00
Maha Bhakta Vijayam

Maha Bhakta Vijayam

Extracts from the Publisher’s Note of Tamil Bhakta Vijayam, a work that was read, proofread, and often referred to by Bhagavan Sri Ramana Maharshi.

Maha Bhakta Vijayam, which is bigger than the Mahabharatam and Ramayanam, was first written in Hindustani in the year 1630 A.D. by Nabaji Siddha, deemed an incarnation of Lord Brahma. It contained the life stories of 700 devotees and was named ‘Bhakta Sara’. It was taught to Uddhava Siddha and others by Nabaji Siddha himself. Uddhava Siddha shortened the stories, wrote them in the language spoken in Gwalior, and called them Bhakta Mala.

Mahipati Bavaji removed the conversations pertaining to jnana aspects in that book and brought out in 1780 AD the life histories of 108 saints in Marathi and named the book ‘Bhakta Vijaya’. The rest of them, which he composed, were called ‘Santa Vijaya’ and ‘Santa Leelamruta’.

One Dipdev later brought out the book, including in it the portions relating to jnana, and named it ‘Dipa Ratnakara’. (All these were consulted and even enquired with the other elders.) Chittoor Venkatadasar translated it to Tamil, and the same was published by Saidapuram Umapati Mudaliar in 1864 A.D.

  1. “A wooden stand was provided for me, and I read one portion per day from Bhakta Vijayam while Bhagavan explained the meaning to those present. Sometimes I would ask innocent questions from the book, and Bhagavan would patiently reply. The devotees in the hall used to say that they got answers to their doubts from the replies given by Bhagavan to my questions. -Smt. Rajalakshmi (The Mountain Path, April 2008)
  2. Manu Subedor, who came from Bombay for Bhagavan’s darsan, said that most of the matter in ‘Avadhoota Gita’ and ‘Ashtavakra Gita’ was meant for the adepts, and there was not much by way of direct guidance for beginners.“ With infinite compassion in his eyes, the Maharshi looked at me and instructed one of the followers to bring a book. This was the Maha Bhakta Vijayam of Nabhaji. Bhagavan opened the book and began to read. Those who were present thoroughly enjoyed the reading, and I discovered that I was given exactly what I needed.

Jayadev

Download

Play Online

Jayadev’s birth

00:00
  • 01-jayadevs-birth
    00:00

Jayadev’s dispassion

00:00
  • 02-jayadevs-dispassion
    00:00

Jayadev mutilated

00:00
  • 03-jayadev-mutilated
    00:00

Jayadev reaches the country

00:00
  • 04-jayadev-reaches-the-country
    00:00

Padmavati joins Jayadev

Thieves drowned

Thieves saved

Padmavati died

Padmavati revived

Lord appears

Ashtapati tested

Upadesa to the king

Kabir

Download

Play Online

Kabir Jananam

00:00
  • ch01-kabirjananam-edited
    00:00

Kabir Refuses Sunnat

00:00
  • ch02-k-refuses-sunnat-edited
    00:00

Kabir Offers Cloth to Bhagavan

00:00
  • ch03-k-offers-cloth-to-bhagavan
    00:00

Kabir Gets Bhagavan’s Darsan

00:00
  • ch04-k-gets-bhagavans-darsan-edi
    00:00

Kabir Beaten by Discipls

00:00
  • ch05-k-beaten-by-discipls-edited
    00:00

Kabir’s Blessing by Guru

00:00
  • ch06-ks-blessing-by-guru-edited
    00:00

Kabir gets Upadesam

00:00
  • ch07-k-gets-upadesam-edited
    00:00

Kabir Condemns Islam

00:00
  • ch08-k-condoms-islam-edited
    00:00

Kabir wins Gorak

00:00
  • ch09-k-wins-gorak-up-to-112min
    00:00

Kabir’s Marriage

00:00
  • ch10-ks-marriage
    00:00

Kabir saves Calf

00:00
  • ch11-k-saves-calf
    00:00

Kabir’s Wife goes to Merchant

00:00
  • ch12-ks-wife-goes-to-merchant
    00:00

Kamal’s Pilgrimage

00:00
  • ch13-kamals-pilgrimage
    00:00

Tulasi dasar

Download

Play Online

Tulasi dasar Jananam

00:00
  • 01tulasi-dasar-jananam
    00:00

Tulasi immersed in pleasure

00:00
  • 02-3-4-tulasi-immersed-in-pleasu
    00:00

Tulasi dasar’s dispassion

00:00
  • 05-tulasi-dasars-dispassion-1
    00:00

Tulasi dasar gets ghost’s darsan

00:00
  • 06tulasi-dasar-gets-ghosts-darsa
    00:00

Darsan of Maruti

00:00
  • 07-darsan-of-maruti
    00:00

Darsan of Sri Rama

00:00
  • 08-darsan-of-sri-rama
    00:00

Jnana upadesam to Tulasi dasar

00:00
  • 09-jnana-upadesam-to-tulasi-dasa
    00:00

Bhagavan as Mutts’ Security

00:00
  • 10-bhagavan-as-mutts-security
    00:00

Bhagavan tests Tulasi dasar

00:00
  • 11-bhagavan-tests-tulasi-dasar
    00:00

Bhagavan appears 

as Tulasi dasar

00:00
  • 12 Bhagavan appears as Tulasi dasar
    00:00

Akbar humiliated

00:00
  • 13-akbar-humiliated
    00:00

Tulasi dasar ‘s Upadesam to Akbar

00:00
  • 14-tulasi-dasars-upadesam-to-akb
    00:00

Namdev

Download

Play Online

Birth of Namdev

00:00
  • 1-birth-of-namdev
    00:00

Namdev Feeds bhagavan

00:00
  • 2-namdev-feeds-bhagavan
    00:00

Marriage of Namdev

00:00
  • 3-marriage-of-namdev
    00:00

Bhagavan Gave money

00:00
  • 4-bhagavan-gave-money
    00:00

Bhagavan As Servent

Bhagavan’s Gift

00:00
  • 6-bhagavans-gift -1-
    00:00

Namdev & Jnaneswar-Part I

00:00
  • 7a-namdev-jnaneswar
    00:00

Namdev & Jnaneswar-Part 2

00:00
  • 7-namdev-jnaneswar-1
    00:00

Namadev,Gora & Visopakesar

00:00
  • 8 namadev-gora - visopakesar
    00:00

Jnaneswar

Download

Play Online

Vitoba’s yatra

00:00
  • 01-vitobas-yatra
    00:00

Sanyasi vitoba

00:00
  • 02-sanyasi-vitoba
    00:00

Jnanopadesam

00:00
  • 03-jnanopadesam
    00:00

Vitoba’s Grahastasrama

00:00
  • 04-vitobas-grahastasrama
    00:00

Children’s of Vitoba

00:00
  • 05 childrens of vitoba
    00:00

Vitoba’s stotra

00:00
  • 06-vitobas-stotra
    00:00

Jnaneswar’s glory

00:00
  • 07-jnaneswars-glory
    00:00

Vitoba’s back home

00:00
  • 08-vitobas-back-home
    00:00

Baffollw’s Vedic chanting

00:00
  • 09-baffollws-vedic-chanting
    00:00

Manusubedar

00:00
  • 10-manusubedar
    00:00

Kuchlar

Download

Play Online

Sukar Vaakyam-Kuchelar

00:00
  • 1-sukar-vaakyam-kuchelar-1
    00:00

Kuchlar Reaches Dwaraaka Puri

00:00
  • 2-kuchlar-reaches-dwaraaka-puri-1
    00:00

Kuchelar’s Darsan of Sri Krishna

00:00
  • 3-kuchelars-darsan-of-sri-krishn-1
    00:00

Kuchelar Attains Parama Padam

00:00
  • 4 kuchelar attains parama padam
    00:00

Tukaram

Download

Play Online

Tukaram’s Illara Darmam

00:00
  • 1-tukarams-illara-darmam
    00:00

Tuka as Namdev

00:00
  • 2-tuka-as-namdev
    00:00

Tuka removes ego of bhrm

00:00
  • 3 tuka removes ego of bhrm -1-
    00:00

Tuka’s wife

00:00
  • 4 tukas wife
    00:00

Tuka’s letter to Vittal

00:00
  • 5 tukas letter to vittal
    00:00

Vittal’s Reply thro Eagle

00:00
  • 6 vittals reply thro eagle
    00:00

Last Chapter

00:00
  • 7_last_ch
    00:00

Maha Bhakta Vijayam Tamil Text - click here

Sri Muruganar’s Prayer Set in Music

Muruganars Prayer

Sri Ramana Sannidhi Murai With related Tiruvachakam and Thevaaram

Sri Ramana Sannidhi Murai (Homage to the Presence of Sri Ramana), running into 1852 verses of various meters in Tamil, was composed by the great poet-devotee Muruganar in praise of his Sadguru Bhagavan Ramana and was first printed in 1933. One of the verses, Desika Pathikam (Decad of Ramana, the Teacher), Title No. 20, was composed by the poet when he was on his way to the Ashram for the first darshan of his master. That was a poet’s offering to the Guru. It was inspired by a song on Lord Siva by the great medieval Tamil saint-singer Sundaramurthy Nayanar. Later, graced by Sri Bhagavan, Sri Muruganar composed the rest of the verses. Though, to a large measure, they were patterned on Tiruvachakam of Manikkavachakar, they evince a luminous originality, and the poet has incorporated in his work his innovations and variations on the styles and images of the model.

The appropriateness of this pattern was hailed by devotees because, while Bhagavan Ramana was seen as Lord Siva Himself, Sri Muruganar was likened to Manikkavachakar.

While Sri Ramana Sannidhi Murai is rather closely modeled on Tiruvachakam, the scholarly poet has also borrowed the style and format of the Thevaram—sudden hymns on Lord Siva by Tirujnanasambandhar, Appar, and Sundaramurthy Nayanar—and, to a lesser extent, the compositions of more recent saint-singers like Arunagirinadhar, Thayumanavar, and even the style and format of the Vaishnavite classic “Divya Prabandham." This was in the fitness of things, for, by doing so, Muruganar has honored the chants of centuries of Tamil saints while paying homage to one whom Carl Jung, one of the great western intellectuals of the 20th century, hailed as ‘the chant of millenniums’.

The present audio upload of Sri Ramana Sannidhi Murai is accompanied by a few samples from Tiruvachakam, sung by Sri Sadgurunatha Oduvar of Sri Kapaleeswarar Temple, Mylapore-Chennai, a few from Thevaram, sung by Sri Dharmapuram Swaminathan, and a few others, while Sri Ramana Sannidhi Murai has been sung by the artistes-devotees of RMCL (Ramana Maharshi Centre for Learning), Bangaluru.

Note:

This audio upload of verses from Sri Ramana Sannidhi Murai is linked to the responding models from Tiru Vachakam and Thevaaram. The musical meters (Pann or Raga) mentioned in the book/Pdf upload are not adhered to in the recitation.

Please click any one of the song name from Sannidhi Murai, Tiruvachakam and Thevaaraman then listen the audio of the song. Click the PDF section to download the combined text of the audio files.

Either scripts and active content are not permitted to run or Adobe Flash Player version 10.2.0 or greater is not installed.

  • For Download all Sannidhi Murai Mp3 files in ZIP format, please click here
  • For Downlaod all Tiruvachakam Mp3 files in ZIP format, please click here
  • For Downlaod all Thevaarm Mp3 files in ZIP format, please click here
  • For Download all Sannidhi Murai+Tiruvachagam+Thevaarm Text, please click here
Maharshi Arunmozhi

Maharshi Arunmozhi (Tamil)

The Ashram has already uploaded some audiobooks like ‘Collected Works of Sri Ramana Maharshi’. Sri Muruganar’s ‘Ramana Sannidhi Murai’ etc. and some ancient Tamil spiritual texts, highly regarded by Bhagavan Ramana, like ‘Ribhu Gitai’, ‘Ashtavakra Gitai’, etc. More such texts, like ‘Ozhivil Odukkam’ etc., will be uploaded over time.

Now we are uploading a Tamil publication of the Ashram. Paul Brunton came to India in the early 1930s in search of truth. This journey led him to many saints, yogis, and fakirs, but his search continued. A gentle persuasion by Sri Chandrasekharendra Saraswati Swami, the Sankaracharya of the Kanchi Kamakoti Mutt, led Brunton to the Sage of Arunachala, Bhagavan Sri Ramana Maharshi, in his ‘Hermitage in the Jungle’.

Brunton chronicled his encounters in India in his best-known book, ‘A Search in Secret India’. Three chapters of this book deal with the encounter of the most remarkable kind that he had in India, namely, his meetings with Ramana Maharshi at his ashram at the foot of Arunachala in Tiruvannamalai and the extraordinary experiences that he had there. Relevant portions of these chapters were published by the Ashram in the book ‘The Maharshi and His Message’, later translated into Tamil and a few other languages. The Tamil translation entitled ‘Maharshi Arunmozhi’ is now uploaded in the voice of Sri Govi.

Audio

Download

Play Online

Aannamalai

00:00
  • 1annamalai
    00:00

Kaanagattil Mona Munivarudan

00:00
  • 2kaanagattil-mona-munivarudan
    00:00

Naam Maranda Maraiya Unmai

00:00
  • 3naam-maranda-maraiya-unmai
    00:00
Sri Ramana Chatvarimsat

Sri Ramana Chatvarimsat

One early morning, in the Pachaiamman Temple at Tiruvannamalai, Sri Vasishtha Ganapati Muni and other disciples were all sitting in front of Bhagavan Sri Ramana Maharshi, who was, as usual, sitting completely in front. The Muni saw a sparkling light come down from the sky and touch the forehead of the Maharshi six times.

This vision made the Muni realize that the Maharshi was none other than an incarnation of Lord Subrahmanya. Immediately, the poet in the Muni blossomed forth in eight verses in the beautiful sardulavikridita meter.

Later on, as occasion demanded, the Muni composed many verses adoring the Maharshi, and these were collected along with the initial eight verses as the Sri Ramana Catvarimsat, “Forty Verses in Adoration of Sri Ramana." These forty verses were daily recited in the presence of Bhagavan during his lifetime and continue to be recited every morning at his shrine. The verses describe both the human and the divine characteristics of the Maharshi, making no distinction between him and Skanda.a

As these verses deal with an Avatara Purusha and Jivanmukta and are composed by a great spiritual stalwart of no mean attainments, each verse acts like a mantra in invoking the presence of the Maharshi and is a veritable boon to every sincere aspirant.

Song

Download

Play Online

PDF

Sri Ramana Chatvarimsat 

00:00
  • Ramana_Chatva_rimsat
    00:00
Tiruvaachakam

Bhagavan Ramana and Tiruvaachakam (Tamil)

On a number of occasions, Bhagavan Sri Ramana Maharshi spoke in detail about Tiruvaachakam and its author, Saint Manikkavaachakar. He encouraged the recitation of Tiruvaachakam as part of Sadhana for those interested. Tiruvaachakam and Manikkavaachakar represent the path of Sanmaargam—oneness with the Lord in Saiva Siddaantam—three others being those of master-servant, father-son, Father-Son and attitude of friendship towards the Lord.

...Bhagavan sat beside Mother’s (Alagammal’s) body. Brahmachari Arunachalaswami and I were near Bhagavan. Bhagavan wanted us to read out Tiruvaachakam. Bhagavan read out some parts, and we read out others. Bhagavan corrected us whenever we made mistakes. In this manner, we finished the entire Tiruvaachakam by 4 o’clock in the morning.

-Kunju Swami’s Reminiscences (from his description of the Maha Samadhi of Bhagavan’s Mother on the night of May 19, 1922)

...Bhagavan told me that such weeping is good, quoting from Tiruvaachakam: Azhudaal Unnai Peralaame—by crying for You (God), one can get You. It was in connection with Mrs. Eleanor Pauline Noye, an American devotee (who used to weep in the presence of Bhagavan), that Bhagavan quoted to me the above line from Tiruvaachakam.

-My Recollections (by Devaraja Mudaliar)
Since recently, Sri. Siva Daamodaran of Tiru Kazhu Kundram has been conducting Muttrodal (complete chanting) of Tiruvaachakam in various Siva-Kshetraas in Tamil Nadu, attracting thousands’ of devotees in each session. He has set the Tiruvaachakam songs in various musical meters and in different classical ragas and rendered them in a simple folk music style, keeping the participants and audience, comprising learned pundits as well as simple village folks, spellbound for about 12 hours at a stretch.

The present sample upload, lasting about three hours, is from one such session conducted by Sri. Siva Daamodaran at Kanchipuram in Sri Ekaambareswar Temple on the 29th Sep 2012, which was attended by more than 10,000 devotees.

Audio

Download

Play Online

Siva Puraanam Full

00:00
  • 01_siva_puraanam_full
    00:00

Keerti Tiru Ahaval -1to8 & 28to29

00:00
  • 02_keerti_tiru_ahaval_1_to_8_ 28_29
    00:00

Tiru Anda Pahudi -1to11 & 31to36

00:00
  • 03_tiru_anda_pahudi_1_to11_31_ to_ 36 -1-
    00:00

Potri Tiru Ahaval – 1to12 & 37to45

00:00
  • 04_potri_tiru_ahaval_1_to_12_37_to_45
    00:00

Tiru Chadakam Mei Unardal  1to5

00:00
  • 05_1_tiru_chadakam_mei_unardal_1_to_5-1
    00:00

Tiru Chadakam Ari Vuruttal  1to7

00:00
  • 05_2_tiru_chadakam_ari_vuruttal_1_ to_7-1
    00:00

Tiru Chadakam Chuttaruttal 3to8

00:00
  • 05_3_tiru_chadakam_chuttaruttal_3_to_8
    00:00

Tiru Chadakam Atma Suddhi 1to4

00:00
  • 05_4_tiru_chadakam_atma_suddhi_1_to4
    00:00

Tiru Chadakam Kai maaru koduttal

00:00
  • 05_5_tiru_chadakam_kai_maaru_koduttal-1
    00:00

Tiru Chadakam
 Anubhoga Suddhi – 1to6

00:00
  • 05_6_tiru_chadakam_anubhoga_suddhi_1_to_6
    00:00

Tiru Chadakam 
Kaarunyattu Irangal – 2to5

00:00
  • 05_7_tiru_chadakam_kaarunyattu_irangal_2_to_5
    00:00

Tiru Chadakam 
Aanandattu Azhundal – 2to8

00:00
  • 05_8_tiru_chadakam_aanandattu_azhundal_2_to_8
    00:00

Tiru Chadakam
 Aananda Paravasam - 1to5

00:00
  • 05_9_tiru_chadakam_aananda_paravasam_1_to_5
    00:00

Tiru Chadakam 
Aananda Ateetam -1to6

00:00
  • 05_10_tiru_chadakam_aananda_ateetam_1_to_6
    00:00

Neettal Vinnappam – 1to25

00:00
  • 06_neettal_vinnappam_1_to_25
    00:00

Tiruvembaavai

00:00
  • 07-tiruvembaavai-1
    00:00

Tiru Ammanai – 1to4

00:00
  • 08_tiru_ammanai_1_to_4 -1-
    00:00

Tiru Por Chunnam – 1to8

00:00
  • 09_tiru_por_chunnam_1_to_8-1
    00:00

Tiru Kottubi – 1to8

00:00
  • 10_tiru_kottubi_1_to_8
    00:00

Tiru Tellenam – 1to8

00:00
  • 11_tiru_tellenam_1_to_8
    00:00

Tiru Chhaazhal – 2to10

00:00
  • 12_tiru_chhaazhal_2_ to_10
    00:00

Tiru Poovalli – 1to5

00:00
  • 13_tiru_poovalli_01_to_05
    00:00

Tiru Undiyaar – 1to20

00:00
  • 14_tiru_undiyaar_01_to_20
    00:00

Tol Nokkam – 1to5

00:00
  • 15_tol_nokkam_1_to_5
    00:00

Tiru Pon Uosa

00:00
  • 16_tiru_pon_uosa_1_2_3
    00:00

Annai Pattu

00:00
  • 17_annai_pattu_01_to_10 -1-
    00:00

Kuil Pattu

00:00
  • 18_kuil_pattu_1_2_5
    00:00

Chettila Pattu

00:00
  • 23_chettila_pattu
    00:00

Adaikkala Pattu

00:00
  • 24_adaikkala_pattu_2_3_4
    00:00

Aasai Pattu

00:00
  • 25_aasai_pattu_1
    00:00

Adisaya Pattu

00:00
  • 26_adisaya_pattu_1
    00:00

Punarchhi Pattu

00:00
  • 27_punarchhi_pattu_1_2
    00:00

Vaazha Pattu

00:00
  • 28_vaazha_pattu_1_2
    00:00

Arut Pattu

00:00
  • 29_arut_pattu
    00:00

Tiru Kazhu kundra Padikam

00:00
  • 30_tiru_kazhu_kundra_padikam
    00:00

Kanda Pattu

00:00
  • 31_kanda_pattu
    00:00

Praartanai Pattu

00:00
  • 32_praartanai_pattu
    00:00

Kuzhitta Pattu

00:00
  • 33_kuzhitta_pattu
    00:00

Uyirunni Pattu

00:00
  • 34_uyirunni_pattu
    00:00

Achha Pattu

00:00
  • 35_achha_pattu
    00:00

Tiru Paandi Padikam

00:00
  • 36_tiru_paandi_padikam_2_3_4
    00:00

Piditta Pattu

00:00
  • 37_piditta_pattu_2_3
    00:00

Tiru Esaravu

00:00
  • 38_tiru_esaravu_2_3
    00:00

Tiru Pulambal

00:00
  • 39_tiru_pulambal_1_2_3
    00:00

Kula Pattu

00:00
  • 40_kula_pattu_1_2_3
    00:00

Arpuda Pattu

00:00
  • 41_arpuda_pattu_2
    00:00

Chenni Pattu

00:00
  • 42_chenni_pattu_2_3_4
    00:00

Tiru Vaartai

00:00
  • 43_tiru_vaartai-1_2_3
    00:00

Enna Padikam

00:00
  • 44-enna-padikam-1 -1-
    00:00

Yaattirai Pattu

00:00
  • 45_yaattirai_pattu_1_2_3
    00:00

Tiru Padai Ezhuchhi

00:00
  • 46_tiru_padai_ezhuchhi_1_2
    00:00

Tiru Vanba

00:00
  • 47_tiru_vanba_1_2 -1-
    00:00

Pandaaya Naan Marai

00:00
  • 48_pandaaya_naan_marai2_3
    00:00

Tiru Padai Aatchi

00:00
  • 49_tiru_padai_aatchi_2
    00:00

Aananda Maalai

00:00
  • 50_aananda_maalai_1_2_7
    00:00

Achho Padikam Full

00:00
  • 51_achho_padikam_full
    00:00
Nul Tirattu

Nul Tirattu

The Collected Works of Bhagavan Sri Ramana Maharshi (Sri Ramana Nul-Tirattu, Tamil) has a unique place in the lives of all Ramana devotees. In his introduction to the prose translation of Vivekachudamani (his earliest and major single work), Bhagavan says, “Bliss can be realized through self-enquiry only, which consists of Sravana (hearing), Manana (contemplation), etc. In “Who am I?" he also says, “For that happiness, the inquiry of the form ‘Who am I’ is the principal means.

The works of Bhagavan abundantly serve the purpose of Sravana, Manana etc.
With the upload of this ‘Nul Tirattu’, the poetical works of Bhagavan are now available to devotees in three different formats.

  • Tamil Parayanam, as sung now at Sri Ramanasramam.
  • A 15-day cycle of the same, including the poetical works of a few other saints, most of them in the voices of old devotees like Kunjuswamy and others.
  • The Collected Works of Bhagavan (Nul-Tirattu)—the poetical portion with music wherever available. This would be updated as and when the remaining portion is set to music and sung. The Malayalam version of Bhagavad Gita Saram and the Telugu, Sanskrit, and Malayalam versions of Upadesa Saram are also added here as supplements to Nul-Tirattu.

Arunachala Stuti Panchakam

Download

Play Online

Introduction

00:00
  • 00Introduction -1-
    00:00

Arunachala Dipa darsana Tatvam

00:00
  • 01Arunachala_Dipa_darsana_Tatvam
    00:00

Maahaatmiyam

00:00
  • 02Maahaatmiyam -1-
    00:00

Akshara mana maalai

00:00
  • 03Akshara_mana_maalai
    00:00

Nava mani maalai

00:00
  • 04Nava_mani_maalai
    00:00

Padigam

00:00
  • 05Padigam -1-
    00:00

Ashtakam

00:00
  • 06Ashtakam -1-
    00:00

Pancha Ratnam-Sanskrit & Tamil

00:00
  • 07Pancha_Ratnam_Sanskrit_Tamil
    00:00

Upadesa Nun Maalai

Download

Play Online

Upadesa Undiyar

00:00
  • 08_Upadesa_Undiyar
    00:00

Ulladu Naarpadu

00:00
  • 09-Ulladu-Naarpadu-1
    00:00

Ulladu Naarpadu-Anubandam

00:00
  • 10-Ulladu-Naarpadu-Anubandam -1-
    00:00

Ekatma panchakam
Telugu & Tamil

00:00
  • 11Ekatma_panchakam_Telugu_Tamil
    00:00

Appala Paattu

00:00
  • 12Appala_Paattu
    00:00

Anma Viddai

00:00
  • 13Anma_Viddai
    00:00

Anuvaada Nun Maalai (Poem)

Download

Play Online

Devikaalotram

00:00
  • 14Devikaalotram -1-
    00:00

Sarva jnotram

00:00
  • 15Sarva_jnotram
    00:00

Bhagavat Gita Saaram

00:00
  • 16Bhagavat_Gita_Saaram
    00:00

Dakshinamurti Stotram

00:00
  • 17Dakshinamurti_Stotram
    00:00

Aanma Bodham

00:00
  • 18Aanma_Bodham
    00:00

Guru Stuti

00:00
  • 19Guru_Stuti
    00:00

Hasta malakam

00:00
  • 20Hasta_malakam
    00:00

Anuvaada Nun Maalai (Prose) (Vivekachudamani)

Download

Play Online

Introduction

00:00
  • 21A1-Introduction -1-
    00:00

Up to Anatma Iyal-Tami – Vrs145

00:00
  • 21A_up_to_Anatma_Iyal_Tamil_Vrs145
    00:00

Introduction

00:00
  • 21B1_Introduction
    00:00

Upto Jiva Brahma Ikya Iyal – Vrs309

00:00
  • 21C_up_to_Podu_Iyal_Vrs486 -1-
    00:00

Introduction

00:00
  • 21D1_Introduction -1-
    00:00

Up to Podu Iyal – Vrs486

00:00
  • 21D_up_to_end_Vrs662
    00:00

Introduction

00:00
  • 21D1_Introduction -1-
    00:00

Up to end

00:00
  • 21D_up_to_end_Vrs662
    00:00

Druk Drusya Vivekam

00:00
  • 22Druk_Drusya_Vivekam
    00:00

Arun Mozhi Thoguppu

Download

Play Online

Naan Yaar

00:00
  • 23Naan_Yaar
    00:00

Vichaara Sangraham

00:00
  • 24Vichaara_Sangraham
    00:00

Upadesa Manjari

00:00
  • 25Upadesa_Manjari
    00:00

Mani Mozhigalum Tani Paakkalum

00:00
  • 26Mani_Mozhigalum_Tani_Paakkalum -1-
    00:00

Talaippu kavi & Medicinal Verses

00:00
  • 26aTalaippu_kavi_Medicinal_Verses -1-
    00:00

Vichara mani maalai

00:00
  • 27Vichara_mani_maalai -1-
    00:00

Nul Tirattu Supplement

Download

Play Online

Bhagavad Gita Saram (Malayalam)

00:00
  • 16Bhagavat_Gita_Saaram-1
    00:00

Upadesa Saram (Telugu)

00:00
  • 08DUpadesaSaaramu_Telugu
    00:00

Upadesa Saram (Sanskrt)

00:00
  • 08CUPADESASaaramSanskrit -1-
    00:00

Upadesa Saram(Malayalam)

00:00
  • 08BUpadesaSaram_Malayalam
    00:00
Akshara Mana Malai in nine different Ragas

Akshara Mana Malai in nine different Ragas

Manavasi Ramaswami Iyer discovered the healing powers of Sri Ramana Maharshi during Virupaksha days and composed the “Saranagati” song. This powerful song invokes the grace of the master and is sung in many programs of Ramana Sat Sanghs. His daughter, Sri Ramani Ammal, was a talented musician. She gave music lessons to many fortunate ladies in Ramananagar.

Sri Ramani Ammal set the one hundred and eight verses of Akshara Mana Malai in nine different ragas. Each set of twelve verses is sung in a special raga. During the annual Sharad Navaratri festival, Akshara Mana Malai, the rare gem of hymnal praise of Lord Arunachala composed by Sri Ramana Maharshi, is sung in nine melodious ragas before the Divine Mother. (Note: Raga is a traditional melodic type in Hindu music, consisting of a theme that expresses an aspect of religious feeling and sets forth a tonal system on which variations are improvised within a prescribed framework of typical progressions, melodic formulas, and rhythmic patterns.).

Smt. Sushila Ramanan, the wife of ashram president, learned to sing Akshara Mana Malai in nine ragas from Sri Ramana ammal. We are happy to present Akshara Mana Malai sung by Sushila Ramanan and J Jayaraman in nine ragas.

Audio

Download

Play Online

Aksharamanamalai in
 Different Ragas

00:00
  • aksharamanamalai_different_ragas
    00:00

Ragas and corresponding lines.

  • Kappu - Bowli Raga
  • 1–12 - Saama Raga
  • 13–24 - Behāg Raga
  • 25–36 - Bhagyashree Raga
  • 37–48 - Sivaranjani Raga
  • 49–60 - Kapi Ragam
  • 61–72  - Nadanamakriya Ragam
  • 73–84 - Yamuna Kalyani Ragam
  • 85–96  - Senchurutti Ragam
  • 97–108 - Sindhu Bhairavi Ragam
Gomatha Lakshmamma Song

Gomatha Lakshmamma Song

Audio

Download

Play Online

Gomatha Lakshmamma Song

00:00
  • Gomatha_Lakshmama -1-
    00:00
Ekanma Panchakam: Learn to Chant

Ekanma Panchakam

Introduction

These are the last verses composed by Bhagavan. They were written at the instance of a devotee, Suri Nagamma, the author of Letters from Sri Ramanasramam. He wrote them first in Telugu, but in a Tamil metrical form called Venba, and then translated them into Tamil. Since there was already a composition of Shankaracharya called the Atma Panchakam, Bhagavan decided to call his composition Ekatma Panchakam.

Verse 1

When forgetting the self, one thinks
That the body is oneself and goes
Through innumerable births
And in the end, he remembers and becomes
The self knows this is only like
Awaking from a dream wherein
One has wandered the world.

Transliteration

Tannai maṛandu tanuvē tānā-eṇṇi
Eṇṇil piṛavi eḍut tiṛudi – tannai
Uṇarndu tānā-dal ulagasañ charak
Kanavin vizhit-talē kāṇga – anavara-dam

00:00
  • EP-v1
    00:00

Verse 2

 One ever is the Self. To ask oneself
“Who and whereabouts am I?”
Is like the drunken man’s enquiring
“Who am I?” and “Where am I?”

Transliteration

Tānirun-dun tānā-gat tannaittā nānevan
Yān-irukkum stānam edu-venakkēt – pānukku
Yānevan evviḍam yānuḷan enḍṛa-madu
Pāna-nai yīḍu pagar-satcid – ānandat

00:00
  • EP-v2
    00:00

Verse 3

The body is within the Self. And yet
One thinks one is inside the inert body,
Like some spectator who supposes
That the screen on which the picture is thrown
Is within the picture.

Transliteration

Tannuḷ tanu-virukkat tānach jaḍa-vuḍalan
Tannuḷ irup-padāt tānunnum – anna-van
Chitti-rattin uḷḷuḷada chitti-rattuk kādāra
Vastira menḍṛeṇ-ṇuvān pōlvān – vastu-vām

00:00
  • EP-v3
    00:00

Verse 4

Does an ornament of gold exist
Apart from the gold? Can the body exist
Apart from the Self?
The ignorant one thinks ‘I am the body’;
The enlightened knows ‘I am the Self’.

Transliteration

Ponnukku vēṛagap bhūsha-ṇam uḷḷadō
Tannai viḍut tanu-vēdu – tannai
Tanu-venbān ajñāni tānā-gak koḷvān
Tanai-yaṛinda jñāni darippāi – tana-doḷiyāl

00:00
  • EP-v4
    00:00

Verse 5

The Self alone, the Sole Reality,
Exists for ever.
If of yore the First of Teachers
Revealed it through unbroken silence
Say who can reveal it in spoken words?

Transliteration

Eppō-dum uḷḷadav ēkānma vasttuvē
Appō-dav vasttuvai yādi-Guru – ceppādu
Ceppit teri-yumā ceidanarē levar
Ceppit teri-vippar ceppu-gena – ippōdav

00:00
  • EP-v5
    00:00

Concluding Verse

Guru Ramana, who revels in the form of (pure) jnana,composed these five verses on the Self.
Declared in them is the nature of Reality,
which destroys the illusion that the body is the Self.

Transliteration

Ekanma vuṇmai yinait-tenat tēṭṛiyan-bar
Dēhānma bāvañ cidai-vittān – ēkānma
Jñāna sorūpa-mā naṇṇuṅ Guru-Ramaṇan
Tān-navinḍṛa ippāviṛtan

00:00
  • EP-v6
    00:00

(Translated by Prof. K. Swaminathan)

Kirtan with Krishna Das

Kirtan with Krishna Das

Audio

Download

Play Online

SONG 1

00:00
  • SONG01 -1-
    00:00

SONG 2

00:00
  • SONG02 -1-
    00:00

SONG 3

00:00
  • SONG03 -1-
    00:00

SONG 4

00:00
  • SONG04 -1-
    00:00

SONG 5

00:00
  • SONG05 -1-
    00:00

SONG 6

00:00
  • SONG06 -1-
    00:00

SONG 7

00:00
  • SONG07 -1-
    00:00
Arunachala Puranam

The Arunachala Puranam

The Arunachala Puranam is the sthala purana of Tiruvannamalai. It is a work that brings together all the legends relating to Tiruvannamalai. The myths and legends they contain form part of an unbroken tradition elaborated, embroidered, and transformed over several millennia, beginning with the Vedas and the Vedic commentaries. Ramana Maharshi teaches us that the world is simply the illusory play of mind, projected upon the unmoving screen of consciousness. (The strange, wonderful world of the Puranas is, in its own way, no less an illustration of this truth.)

The main story unfolds against the background of epic themes such as the creation of the universe and the battles for supremacy between the gods themselves and the gods and their enemies, the asuras. Two major themes are interwoven: the first is the greatness of the Arunachala sthala and the story of how the mountain Arunachala first manifested as a clossal of fire whose top and bottom could not be found to settle a quarrel between Brahma and Vishnu; and the second is the story of how Siva’s consort Parvati came to merge with Lord Siva as half of himself.

The Tamil Arunachala Puranam was composed in the 17th century by Saiva Ellappa Navalar, thought to have lived in the reign of the Tamil king Tirumalai Nayakar, during 1623–1659. The author, in verses 21 and 514, cites as the source for its first 7 chapters the Rudra Samhita (514), or the Kodi Rudra Samhita (21) of the Siva Purana.

Devaraja Mudaliar’s Day by Day with Bhagavan, dt. 12.12.1945, Afternoon: As I was entering the hall about 2–50 p.m., Bhagavan was reading out from the Tamil Arunachala Puranam the verses in which it is said that Gauri, after crossing the several streets of Arunachalam, reached Gautama’s Asramam. When Bhagavan came to the verses dealing with Gautama’s joy at Gauri’s coming to his Asramam, he could not go on, for tears filled his eyes and emotion choked his voice. So he laid aside the book.

In 2000, Sri Ramanasramam published the Tamil Arunachala Puranam of Saiva Ellappa Navalar with paraphrases, and the book has been reprinted many times. (The Tamil translation of the Sanskrit Arunachala Mahatmya, by Munagala Venkataramiah, the compiler of Talks with Sri Ramana Maharshi, has also been reprinted many times since its first publication in 1955.) In 1999, Sri Ramanasramam published The Glory of Arunachala by M. C. Subramanian, which had been serialized in The Mountain Path. The Tamil Arunachala Puranam has been translated in English by Robert Butler, an ardent devotee of Bhagavan Ramana. It was also published in the Mountain Path, and he has now offered it to Sri Ramanasramam for publication.

J.Jayaraman – Sri Ramansramam chief Librarian, who heard the glories of the Tamil Arunachala Puranam many times, from old Ashramite of Kunju Swami – close devotee of Bhagavan Ramana Maharshi from 1920 has chanted, the entire 659 Tamil Poems of Saiva Ellappa Navalar, and the same is uploaded now in audio form.

Audio

Download

Play Online

 Paayiram Tiru Nagaram

00:00
  • 01_Paayiram_Tiru_Nagaram55_30min
    00:00

Tiru Malai

00:00
  • 02_Tiru_Malai_166_30min
    00:00

Tiru Avataaram

00:00
  • 03_Tiru_Avataaram_256_30min
    00:00

Tirukkan Pydaitta

00:00
  • 04_Tirukkan_Pydaittal_334_27min
    00:00

Ida Bagam Pettral

00:00
  • 05_Ida_Bagam_Pettral_402_22min
    00:00

Vajraangada Paandiyan

00:00
  • 06_Vajraangada_Paandiyan_451_14min
    00:00

Vallaala Maha Rajan

00:00
  • 07_Vallaala_Maha_Rajan_512_23min
    00:00

Teertta Charukkam

00:00
  • 08_Teertta_Charukkam_551_14min
    00:00

Tiru Malai valam

00:00
  • 09_Tiru_Malai_valam_586_12min
    00:00

Aaditta Charukkam

00:00
  • 10_Aaditta_Charukkam_597_3min
    00:00

Pradatta Raajan

00:00
  • 11_Pradatta_Raajan_610_5min
    00:00

Paavam Teertta Charukkam

00:00
  • 12_Paavam_Teertta_Charukkam_641_10min
    00:00

Pulagadiban

00:00
  • 13_Pulagadiban_ 649_3min
    00:00
  • Download Arunachala Puranam Full Tamil Text : Click Here
  • Download Arunachala Puranam Full English Text : Click Here
Ramana Padamalai

Ramana Padamalai

Muruganar (1890-1973), the gifted Tamil poet and one of the foremost devotees of Bhagavan Ramana was instrumental in persuading Bhagavan Ramana Maharshi to compose Upadesa Undiyar and Ulladu Narpadu two of his most important poetical works embodying his unique teachings The poet-devotee was also responsible for Bhagavan composing Atma Vidya (the Song of Self-knowledge). Thanks to Muruganar we have thus Bhagavan’ s teachings in His own words in a compact form.

Once Bhagavan told Muruganar, “Why not write poems like Manickavachagar (the great 9th-century Siva devotee and saint singer)?" That spark of a gracious sentence kindled a flaming stream of about 25000 spontaneous and natural outpourings of poems in Tamil over a few decades. They are now available in three classified forms: stotram (prayers), sastram (philosophy or teaching), and anubhavam (personal spiritual experiences). However, there are poems or verses in Muruganar that combine all three aspects.

Muruganar's poems, Sri Ramana Sannidhi Murai, Ramana Deva Malai, and Ramana Sarana Pallandu, the stotras, and Guru Vachaka Kovai, embodying the complete teachings of Bhagavan, were published during the lifetime of Bhagavan and Muruganar by Ramana Padananda, an ardent devotee of Bhagavan and admirer of Muruganar, as soon as the bulk of the contents were composed. Sri Ramana Anubhti, The Ramana Experience, was also published by Ramana Padananda in two parts in 1960 and 1961.

After his Maha Samadhi in 1973, an unsorted collection of over 17,000 verses by the poet-devotee was handed over to Sadhu Om, an ardent devotee of Bhagavan and a talented poet. He scrutinized them for three decades, and with the help of Prof. K. Swaminathan, they were brought out in nine volumes entitled Sri Ramana Nana Bodham by Delhi Ramana Kendram over a period of 18 years from 1978.

Starting with Ramana Padananda, many other devotees were active in disseminating the works of Muruganar. Prof. K. Swaminathan translated into English most of the verses of Sri Ramana Sannidhi Murai and the entire Guru Vachaka Kovai. They have been published by Sri Ramanasramam. Sadhu Om also brought out a translation of Guru Vachaka Kovai and a revised translation made by David Godman. Ramana Maharshi Centre for Learning, Bangalore, brought out the audio version of a few works of Muruganar.

The 9th Volume of Sri Ramana Jnana Bodham, published in 1996, contains a) Deiva Malai, b) Padamalai [Paadha Maalai], c) Sarana Tiruvahaval, and a few miscellaneous verses and prose works of Muruganar. A fine selection of 1700 out of a total of 3059 Padamalai verses have been translated in English by Dr. Venkatasubramanian, Robert Butler, and David Godman, with annotation and thematic arrangement by David Godman. The book was published by David Godman in 2004.

The nine volumes of Sri Ramana ]nana Bodham in original Tamil were uploaded in Sri Ramanasramam website in 2014. Padamalai along with its English translation is being uploaded now with due permission from its English translators. In the introduction to the Padamalai, Muruganar mentions that this work is meant for chanting by devotees in order to increase

their'remembrance of the divine feet of the Lord’. The audio chanting of the entire work has also been uploaded along with the text.

A Complete English translation of Padamalai will be made available online when it is ready.

Audio

Download

Play Online

1 To 100

00:00
  • 0001_100
    00:00

101 To 200

00:00
  • 0101_200
    00:00

201 To 300

00:00
  • 0201_300
    00:00

301 To 400

00:00
  • 0301_400
    00:00

401 To 500

00:00
  • 0401_500
    00:00

501 To 600

00:00
  • 0501_600
    00:00

701 To 800

00:00
  • 0701_800
    00:00

801 To 900

00:00
  • 0801_900
    00:00

901 To 1000

00:00
  • 0901-1000 -1-
    00:00

1001 To 1100

00:00
  • 1001-1100
    00:00

1101 To 1200

00:00
  • 1101_1200 -1-
    00:00

1201 To 1300

00:00
  • 1201_1300
    00:00

1301 To 1400

00:00
  • 1301_1400
    00:00

1401 To 1500

1501 To 1600

00:00
  • 1501_1600
    00:00

1601 To 1700

00:00
  • 1601-1700 -1-
    00:00

1701 To 1800

00:00
  • 1701_1800
    00:00

1801 To 1900

00:00
  • 1801_1900
    00:00

1901 To 2000

00:00
  • 1901_2000
    00:00

2001 To 2100

00:00
  • 2001_2100
    00:00

2101 To 2200

00:00
  • 2101_2200
    00:00

2201 To 2300

00:00
  • 2201_2300
    00:00

2301 To 2400

00:00
  • 2301_2400
    00:00

2401 To 2500

00:00
  • 2401_2500 -mp3cut.net-
    00:00

2501 To 2600

00:00
  • 2501_2600
    00:00

2601 To 2700

00:00
  • 1601-1700 -1--1
    00:00

2701 To 2800

00:00
  • 2701_2800
    00:00

2801 To 2900

00:00
  • 2801_2900
    00:00

2901 To 3000

* Download Padamalai Song’s full text - Click Here

Geeta Saara Taalattu

Geeta Saara Taalattu (The Lullaby of Geeta Essence)

Lord Krishna began his upadesa to a nonplussed Arjuna in terms of Supreme Jnana. The Lullaby of Geeta Essence, composed in Tamil by the saintly Tiru-vengada-nathar for the delight of his daughter, contains the very essence of this Jnana Yoga. It is told in delightfully pithy couplets in the form of a brisk, unambiguous dialogue between Sri Krishna and Arjuna. The English translation preserves the meter of the original Tamil couplets to facilitate identical recitation.

It appears Tiru-vengada-nathar’s daughter was widowed soon after marriage and returned to her father’s home. Her neighbor, friend, and playmate had also been married about the same time and had just then delivered a baby. The strains of lullabies would waft from the neighboring house and plunge the young widow into despair at her own childlessness.

Her saintly father once returned home earlier than usual and saw her with tears streaming down her cheeks. He consoled her, saying she need not have grieved over a minor matter, and gave her an idol of baby Krishna to put in a swing and sing a lullaby to. He composed for her the Geeta Sara, a Jnana Upadesa, as a lullaby of 104 couplets. The young'mother’ used to rock the ‘baby’ with such tenderness and devotion while singing the lullaby that the idol came to life, and Sri Krishna pranced about to the great and continued delights of the mother and those all around!

This Geeta Sara Lullaby was often quoted by the Bhagavan Sri Ramana Maharshi, along with other pure Advaitic Tamil works like Kaivalya Navaneetham, Sasivarna Bodham, Jnana Vasishtam, etc. In addition, it happens to be the only work Bhagavan taught as a guru to a group of young sadhaks in a class room. It happened in the early days, some time before 1920, when Bhagavan was in Skandashram. 

While on a pradakshina of the Holy Hill, Bhagavan rested awhile at Esanya Mutt by the north-eastern side of the hill. The Mathadhipati was all smiles as he welcomed the young and beloved Maharshi and informed him that he had been in the midst of a lecture to the young sadhaks and that it would be a great honor if Maharshi took up the instruction from thereon.

Bhagavan was left with little choice. He entered the lecture hall and accepted the high seat proffered by the Mathadhipati himself. Finding that the lecture was on the Geeta-Saara Lullaby, Bhagavan went ahead with it. We can only wonder at the great fortune of those young sadhaks, the splendor of the Guru (who refused to consider himself as any special incarnation), and the grandeur of his upadesa that day—the upadesa that he nevertheless gave in an earlier incarnation!

“GEETA SAARA TAALAATTU”
(Lullaby of Geeta Essence)

A question-answer dialogue between Arjuna and Lord Krishna in the midst of the battle field with the kinsmen arrayed against each other.

Audio

Download

Play Online

Geetha Saara Taalaattu

00:00
  • Geeta-Saara-taalaattu
    00:00

* To download Geetha Saara Taalaattu - click here

Drk-Drsya-Vivekam

Drk-Drsya-Vivekam

Introduction

Palani Swami from Kerala was a sadhak and served Bhagavan Sri Ramana Maharshi for about 20 years, from the early days of Bhagavan’s stay in Tiruvannamalai. To aid him in his sadhana, Bhagavan used to copy a number of spiritual scriptures in his notebooks. (References to this effect can be found in Letters from Sri Ramanashraman by Suri Nagamma, and these notebooks are preserved in the Ashram Archives.) Bhagavan originally wrote them in pencil and, in later years, traced over them in pen, in neat handwriting.

In one of the notebooks we find in Bhagavan’s handwriting 
the following in Malayalam script :

  1. Skandopanishad
  2. Amruta-bindopanishad
  3.  Kaival-yopanishad
  4.  Brahma-vidya Panchakam
  5.  Municharya Panchakam
  6.  Nirvrutti Panchakam
  7.  Ramanashtakam

The following are in Tamil script:

  1. Dakshinamurti Astakam of Sri Nithyananda Swami
  2. Sri Dakshinamurti Astakam
  3. Draft versions of Bhagavan’s Tamil translation of Sri Dakshinamurti Astakam
  4. Drk-Drsya-Vivekam – Tamil verses of Sivananda Murti
  5. Sukashtakam
  6. Moksha Sadana Panchakam
  7. Sobana Panchakam
  8. Manisha Panchakam

Apart from copying the Tamil verses of Dri-Drsya-Vivekam, Bhagavan also translated them in Tamil prose, which is now part of His Collected Works.

While staying in Virupaksha Cave (1900–1916), at the repeated request of Gambiram Seshayya and his brother Krishnayya, Bhagavan translated the Viveka Chudamani into Tamil prose. Along with this, he translated the Drk-Drsya-Vivekam as well. In the introduction to Drk-Drsya-Vivekam, Bhagavan mentions two important points:

  • In the invocation verse and also in the prose, Bhagavan mentions that the Drk-Drsya-Vivekam is the work of Adi Sankara, though he copied the verses of Sivananda Murti, in which the original work is attributed to Vidyaranya Swami.
  • Bhagavan asserts that this small work of the Acharya, which explains the secret of Advaita Siddhanta, is alone sufficient for the mumukshus who are fit to receive the spiritual experience (Uttama Adhikari).

Bhagavan’s translation of these two works of Acharya Sankara, viz. Viveka Chudamani and Drk-Drsya-Vivekam, was first published in 1908 and reprinted in 1916 and 1921, ultimately finding its place in the Collected Works. These two translations of Bhagavan went into print much before the booklet “Who Am I” was printed.

Once Kovilur Vedanta Mutt chief Veera-Subbaiah Swami and his disciples visited Bhagavan in Virupaksha Cave and requested him to explain the practices for attaining Sahaja Nirvikalpa Samadhi state, in which the young Sage was ever established. Bhagavan showed them His translation of Drk-Drsya-Vivekam, where the practice of six types of Samadhi, which leads one to Sahaja Samadhi, was explained.

Audio

Download

Play Online

Drik Drsya Tamil Prose

00:00
  • Drik Drsya_Tamil_Prose -mp3cut.net-
    00:00

Drik Drsya Sanskrit

00:00
  • Drik_Drsya_Sanskrit_JJ_Voice -online-audio-converter.com- -1-
    00:00

Drik Drsya Tamil Poems JJ Voice

00:00
  • Drik_Drsya_Tamil_Poems_JJ_Voice -mp3cut.net-
    00:00

As this Drk-Drsya-Vivekam is a powerful aid for spiritual seekers, the same is uploaded here in the following formats:

Audio presentation of Bhagavan Ramana Maharshi’s Handwritings (Tamil, Telugu, Malayalam, and Sanskrit)

Audio presentation of Bhagavan Ramana Maharshi’s Handwritings ​(Tamil, Telugu, Malayalam, and Sanskrit)

In the year 1896, while studying in Madurai, a 16-year-old boy, Venkataraman, who was later known as Bhagavan Ramana Maharshi, had a fear of death, and that led him to a deep self-enquiry, ‘Who Am I’ that died! This introspection made him consciously realize the natural, cosmic consciousness and ‘beyond’, that survive even the physical end. From then on, he had constant self-attention. Later in Tiruvannamalai, with this self-attention, he was able to freely converse with everyone, including birds and animals.

When Ramanasramam started at the southern foot of the Hill Arunachala in 1923, the composition of Maharshi’s life history and preservation of His works and writings were also started. B.V. Narasimha Swami, a devotee and lawyer by profession, traveled to the places connected with the life of Ramana Maharshi, procured signed documents from the related persons, and then compiled and published the first edition of Bhagavan Ramana’s life and teachings in 1931. Munagala Venkataramaiah, Devaraja Mudaliar, and Suri Nagamma have made date-wise recordings of the Maharshi’s replies to the questions put by devotees and related incidents. They have been collected and published as books titled ‘Talks’, ‘Day by Day', and ‘Letters’. Apart from this, many devotees have written about their experiences with Bhagavan, and they are also published in various titles and languages.

Apart from the recordings by others, Bhagavan Himself, as occasion demanded, would give out some subjects in writing, prose, or poems in Tamil, Telugu, Malayalam, or Sanskrit. The collection of his handwriting exceeds 5000 pages, and they are preserved in the Archives of Ramanasramam. In childhood, Bhagavan earned the pet name ‘Tangakkai'—'The''Golden Hand, and so, from the vast collection of His golden handwriting, some selections in the above four languages have been published as ‘Tangakkai’ in Tamil, ‘Swarna Hasta’ in Telugu and Malayalam, and ‘Hiranyabahu’ in Sanskrit with synopsis in the respective languages and also in English. The above four publications in visual form are presented on YouTube by Ramanasramam (https://www.youtube.com/user/SriRamanaDevotee/), and the entire content in audio form is uploaded here.

Tangakkai (Tamil)

Download

Play Online

Deham Naham Departure letter

00:00
  • 01_03_Deh_Nah_Ks_nbk_Dep_p_1_7 -1-
    00:00

Guhai Namasivayar Poems 

Ramana Charita Ahaval

00:00
  • 04_07_GN_poems_Ek_Akshar_RS_Ahaval_p_9_22
    00:00

Devikalottaram

00:00
  • 08_Devi_kaalottaram_p_24_32 -mp3cut.net-
    00:00

Naa Naar (Who Am I) Koham

00:00
  • 09_Naa_naar_Who_Am_I_Koham_p_33_37 -mp3cut.net-
    00:00

Anma Viddai Upadesa Saram

00:00
  • 10_11_Anma_Viddai_U_Saram_p_39_52 -mp3cut.net-
    00:00

Thevaram Arunachalam

00:00
  • 12_13_Thevaram_Arunachalam_p_62_88 -mp3cut.net-
    00:00

Ramana Ananda Stotram

00:00
  • 12_Ramana_Ananda_Stotram_p_54_60 -mp3cut.net-
    00:00

Arunachalam, Linga Pramanyam and Lakshnam

00:00
  • 13_Arunachalam_Pramanya_Lakshanam_p_89_112 -mp3cut.net-
    00:00

Ulladu 40, Saddarsanam

00:00
  • 15_Ulladu_40_Saddarsanam_p_114_61 -mp3cut.net-
    00:00

Supple to Ulladu 40

00:00
  • 15a_Supple_to_Ulladu_40Tam_Mal_p_163_93 -mp3cut.net-
    00:00

Atma Bodham Gita Saram

00:00
  • 16-17_Atma_Bodham_Gita_Saram_p_195_221 -mp3cut.net-
    00:00

Gita Saram

00:00
  • 17a_Gita_Saram_Jeir_Muthu_English_Tel_p_222_44 -mp3cut.net-
    00:00

Maha Bhakta Vijayam

00:00
  • 18_Maha_Bhakta_Vijayam_p_246_51 -mp3cut.net-
    00:00

Cow, DakshinaMurti

00:00
  • 20_Cow_DakshinaMurti_p_253_68 -mp3cut.net-
    00:00

Ekatma Panchakam

00:00
  • 21_Ekatma_Panchakam_p_273_79 -mp3cut.net-
    00:00

All is one, Gandhi

00:00
  • 22_23_All_is_One_Dic_Brunton_Gandhi_M_Land_p_281_98 -1-
    00:00

Guru Vachaka Kovai

00:00
  • 24_Guru_Vachaka_Kovai_p_300_07 -mp3cut.net-
    00:00

Assorted Writings

00:00
  • 25_Assorted_Writings_p_309_51 -mp3cut.net-
    00:00

Ribu Gitai, Sannidhi Murai

00:00
  • 26_27_Ribu_Gitai_Sannidhi_Murai_p_353_91 -mp3cut.net-
    00:00

Sanskrit Handwritings

00:00
  • 28_30_Sans_Hw_S_Jnottaram_S_Lahari_p_393_420 -mp3cut.net-
    00:00

Suddananda Barati Poems

00:00
  • 31_32_Su_Bharati_Tiruchuli_p_422_36 -mp3cut.net-
    00:00

Adi Sankara’s Works

00:00
  • 33_34_Adi_Sankara_s_Works_p_438_58 -mp3cut.net-
    00:00

Advaita Bodha Dipika 

Vicharamani Mala – 

Golden touch

00:00
  • 35_37_A_B_Dipika_V_M_M_G_touch_B_Cover_p_460_98 -mp3cut.net-
    00:00

Swarna Hasta (Telugu)

Download

Play Online

Ekatma, Birth day Ramana Stuti

00:00
  • 01_2_Ekatma5_B_day_R_Stuti_37 -mp3cut.net-
    00:00

Pratasmaranam Kusumanjali 

Prapatti Parpata Gitam

00:00
  • 03_6_R_P_S_S_k_Pra_8_Parp_Gitam -mp3cut.net-
    00:00

Gita Panchakamu Stuti Panchakam

00:00
  • 07_9_Ramana_Gita_Stuti5_Blml_30_min -mp3cut.net-
    00:00

Akshara mala 

Navamanimala Dasakam

00:00
  • 10_Aru_Ak_Mala_Nmm_Dasakam_46_min -mp3cut.net-
    00:00

Arunachala Stuti Panchakam

00:00
  • 11_16_Aru_8_5_8_10_8_10_16_R_M_mala_1hr -mp3cut.net-
    00:00

Pancha Ratna Vaartikam

00:00
  • 17_Pancha_ratna_Vaartikam_p_137_ 31_min -mp3cut.net-
    00:00

Unnadi 40

00:00
  • 18_Unnadi_Nalubadi_p_171_201_35min -mp3cut.net-
    00:00

Unnadi 40, Poem, Prose

00:00
  • 18a_Unnadi_40_Anu_Poem_Prose_p_201_31_25min -mp3cut.net-
    00:00

Satvidya

00:00
  • 19_Satvidya_p_233_319_41min -mp3cut.net-
    00:00

Satvidya

00:00
  • 19a_Satvidya_GLN_Rao_p_321_35_14min -mp3cut.net-
    00:00

Atma Vidya

00:00
  • 20_21_Atma_vidya_Cow_p_341_24min -mp3cut.net-
    00:00

Vichara Sangrahamu

00:00
  • 22_Vichara_Sangrahamu_p_353_52min -mp3cut.net-
    00:00

Bhagavan Life, Ramana Gita

00:00
  • 23_Bhagavan_s_life_Ramana_Gita_p_392_1 -mp3cut.net-
    00:00

Upadesa Saara, Miscellaneous

00:00
  • 24_25_Uadesa_saara_Mise_verses_p_415_22min -mp3cut.net-
    00:00

Advaita Bodha Dipika

00:00
  • 26_Advaita_Bodha_Dipika_ch_1_3_98min -mp3cut.net-
    00:00

Advaita Bodha Dipika

00:00
  • 26_Advaita_Bodha_Dipika_ch_4_8_64min -mp3cut.net--1
    00:00

Gita Saram

00:00
  • 27_Gita_saram_San_Tel_Mal_p_495_38min -mp3cut.net-
    00:00

Gurustuti, Hastamalakam, 

Sivananda Lahari, Vivekachudamani

00:00
  • 28_29_Guru_Hasta_S_Lahari_VC_Mani -mp3cut.net-
    00:00

Swarna Hastam (Malayalam)

Download

Play Online

Publisher Note

00:00
  • 01_Publi_note_Upadesa_Saram_81min -mp3cut.net-
    00:00

Saddarsanam

00:00
  • 02_Saddarsanam_p_37_58min -mp3cut.net-
    00:00

Ramana Gita

00:00
  • 03_Ramana_Gita_p_91_3hrs -mp3cut -mp3cut.net- -1-.crdownload
    00:00

Who Am I?,

 Arunachala Abyashtakam

00:00
  • 04_Who_Am_I_Arnachalam_Abyashtakam_p171_100min -mp3cut.net-
    00:00

Aparokshanubuti 

Atma Bodha Shatkam

00:00
  • 05_Aparokshanubuti_Atma_Bodha_Shatkam_54min -mp3cut.net-
    00:00

Atma Vidya Nirvriti Municharya 

– Vidya Thrishna

00:00
  • 06_Atma_vidya_Nirvritti_Municharya_B_vidya_Thrishna_45min -mp3cut.net-
    00:00

Chatvarimsat, Cow,

 Dakshnamurti Ekatma

00:00
  • 07_Chatvarimsat_Cow_Dakshinamurti_Ekatma_50min
    00:00

Maha Vakyarta Mantra, 

Ramana Hrudayam

00:00
  • 08_M_vakyarta_Mantra_Ramana_Hrudayam_72min -mp3cut.net-
    00:00

Ramana Lahari, Sarvajnana, 

Amruta, Kaivalya, Drk Drsya

00:00
  • 09_R_Lahari_SarvaJnana_Skanda_Amruta_Kaivalya_Drk_drsya_77min -mp3cut.net-
    00:00

Miscellaneous

00:00
  • 10_Mise1_90min -mp3cut.net-
    00:00

Sata Mani Mala

00:00
  • 11_Sata_Mani_Mala_mise2_80min -mp3cut.net-
    00:00

Hiranyabahu (Sanskrit)

Download

Play Online

Publisher Note
Hrudayam – Deham – Mahatmiyam

00:00
  • p000_Publisher_note_Hru_Deh_Maahaat_20min
    00:00

Contents Note

00:00
  • p001_Contents_Note_on_Compilation_17_min
    00:00

Skanda Maha Puranam – Maheswara Kandam 3 – Purvardham

00:00
  • p008_Ska_M_P_M_K_3_Purvardham_ch_1_4_55min
    00:00

Skanda Maha Puranam – Maheswara Kandam 3 – Purvardham

00:00
  • p039_Ska_M_P_M_K_3_Purvardham_ch_5_8_71min
    00:00

Skanda Maha Puranam – Maheswara Kandam 3 – Purvardham

00:00
  • p073_Ska_M.P_M_K_3_Purvardham_ch_9_13_82min
    00:00

Skanda Maha Puranam – Maheswara Kandam 3 – Uttarardham

00:00
  • p119_Ska_M_P_M_K_3_Uttarardham_ch_1_8_58min
    00:00

Skanda Maha Puranam – Maheswara Kandam 3 – Uttarardham

00:00
  • p155_Ska_M_P_M_K_3_Uttarardham_ch_9_16_57min
    00:00

Skanda Maha Puranam – Maheswara Kandam 3 – Uttarardham

00:00
  • p183_Ska_M_P_M_K_3_Uttarardham_ch_17_20_53min
    00:00

Skanda Maha Puranam – Maheswara Kandam 3 – Uttarardham

00:00
  • p205_Ska_M_P_M_K_3_Uttarardham_ch_21_24_36min
    00:00

Siva Bhakta Vilasam

00:00
  • p221_Upamanyu_SBV_ch_15_19_55min
    00:00

Vidyeswara Samhita

00:00
  • p257_Siv_M_P_Vidyeswara_Aru_Mahat_ch_4_10_35_min-2
    00:00

Dipam Annadanam Lingam

00:00
  • p281_Dipam_Annadanam_Lingam_30_min
    00:00

Sundara Murti Charitam

00:00
  • p299-Sundara-Murti-charitram-35m -1-
    00:00

Updesa Saram, 

Akshara Mala, Ashtakam

00:00
  • p315_u_Saram_Ak_mala_Aru_Ashtakam_55min
    00:00

Pancharatna Darpanam

00:00
  • p348_Aru_Pancharatna_Darpanam_33_min
    00:00

Koham

00:00
  • p363_Koham_35_min
    00:00

Chatvarimsat

00:00
  • p380_Chatva_rimsat_22min
    00:00

Ashtavakra Gita

00:00
  • p405_Ashtavakra_Gita_1_hr
    00:00

Devikalotra Sarvajnanotra 

Gita Sara

00:00
  • p434-Devika-Sarva-Gita-Sara-54mi -1-
    00:00

Raja Yoga Ganta Satakam

00:00
  • p456_Raja_Yoga_Ganta_Satakam_37min
    00:00

Miscellaneous 1

00:00
  • p485_mise_1
    00:00

Miscellaneous 2

00:00
  • p510_Mise_2_40_51_Verses
    00:00

Arunachala Pancharatna (Vartikam)

00:00
  • p553_Vartikam_Sans_Tam_Eng
    00:00

Ramana Gita

00:00
  • p624_Ramana_Gita_75min
    00:00

Prapatti Parama Kevala 

Prasana Pravilapa

00:00
  • p663_Prapatti_Parama_Kevala_Prasna_Pravilapa
    00:00
Siva Bhakta Vilasam – Malayalam Audio Book

Siva Bhakta Vilasam – Malayalam 
(A translation by Taruvattu Ammalamma)

Bhagavan Sri Ramana Maharshi, in his boyhood days, read the Periya Puranam, the life history of the 63 Saiva saints. He would also stand before the Shrine of the Saints in the Madurai Meenakshi temple and pray for the descent of grace so that His devotion might also increase and become perpetual like that of the 63 Saints.

Later in Tiruvannamalai, during discussion with devotees, he would, with emotion and devotion, often refer to the lives of these saints. Many publications of the Ashram, such as ‘Talks’, ‘Letters’, ‘Day by Day with Bhagavan', and several reminiscences of devotees, reveal this aspect of Bhagavan in detail.

The Tamil Periya Puranam is a detailed record by Sekkizhar, the 11th-century minister of the Chola kingdom. The Sanskrit version, Siva Bhakta Vilasam in Skanda Upa Puranam, is a narration by Sage Upamanyu to the other Sages in the 8th century, in Kailas. When Sundara Murti Nayanar, himself one of the 63 saints and also a brief biographer of Saiva saints, returned to Kailas in the 8th century, in the form of an effulgence, the Bhakti vilasam of all the 63 saints was revealed by the Sage Upamanyu there.

Bhagavan copied certain portions from Siva Rahasyam and Brahma Kaivarta Puranam, dealing a few details about Jnana Sambanda and Sundara Murti Nayanars that are not found in the above two major works.

There is a Malayalam version of Siva Bhakta Vilasam by one Taruvattu Ammalamma, published in 1908, with a few variations in the names and life details of the 63 saints. The translator refers to a Sanskrit version of Harasarma Muni as a narration by Sages Agastya and Suta in Skanda Upa Puranam. In a copy of this Malayalam version preserved in the Ashram library, two sheets in the handwriting of Bhagavan with the names of the 63 saints in Tamil and the contents in Malayalam are pasted with a photo of Bhagavan. This book is provided here in pdf and audio forms for the benefit of devotees.

Note : Siva Bhakta Puranam – in Malayalam, an independent translation based on Periya Puranam and Siva Bhakta Vilasam – Vol. I is published by Ramanasram in 2018.

Siva Bhakta Vilasam  (Malayalam)

Download

Play Online

Chapter - 0 to 7

00:00
  • Ch-00-7-Publi-note-Sundara-Murti
    00:00

Chapter - 8 to 13

00:00
  • Ch-08-13-Sundara-Muchukunda-1hr
    00:00

Chapter - 14 to 16

00:00
  • Ch_14_16_Nilakanta_I_Pagai_I_maran_24_min
    00:00

Chapter - 17 to 20

00:00
  • Ch_17_20_M_porul_V_min_A_niti_Daraka_24_min
    00:00

Chapter - 21 to 26

00:00
  • Ch-21-26-Enadi-Kannappa-Kalanada
    00:00

Chapter - 27 to 30

00:00
  • Ch_27_30_M_vikrama_A_Tayar_Aanaaya_Murti_23_min
    00:00

Chapter - 31 to 35

00:00
  • Ch_31_35_Muruga_R_pati_Nanda_T_tondar_Chandesa_27min
    00:00

Chapter - 36 to 39

00:00
  • Ch_36_39_Tilakavati_Appar_32min
    00:00

Chapter - 40 to 45

00:00
  • Ch_40_45_N_mara_Kurumba_K_Ammai_Appudi_N_Nandi_39min
    00:00

Chapter - 46 to 50

00:00
  • Ch_46_50_JnanaSambhanda_48min
    00:00

Chapter - 51 to 56

00:00
  • Ch_51_56_Kalikkama_Mular_Dandi_Murkan_M_soma_33min
    00:00

Chapter - 57 to 62

00:00
  • Ch_57_62_Sakya_Sirapuli_Sirutondar_34min
    00:00

Chapter - 63 to 66

00:00
  • Ch_63_66_Cheraman_Gananada_Kutruvar_P_I_Pulavar_13min
    00:00

Chapter - 67 to 70

00:00
  • Ch_67_70_P_Chozhan_NM_arayar_A_Bakta_K_kamba18min
    00:00

Chapter - 71 to 73

00:00
  • Ch_71_73_11_Nayanmars_13_min
    00:00

Chapter - 74 to 76

00:00
  • Ch_74_76_Kotpuli_Pusalar_M_Arasi_Nesar_K_C_Chozhan_12min
    00:00

Chapter - 77 to 78

00:00
  • Ch_77_78_T_N_Yazhpana_Liberation_21min
    00:00

* Siva Bhaktha Vilasam – Malayalam Book Pdf (Download Here)

Arunachala Puranam

Arunachal Puranam

I was entering the hall at 2.50 p.m. Bhagavan was reading out from the Tamil Arunachala Puranam the verses in which it is said that Gouri, after crossing the several streets of Tiruvannamalai, reached Goutama Ashram.

When Bhagavan came to the verses dealing with Goutama’s joy at Gouri’s coming to his ashram, Bhagavan could not go on, for tears filled his eyes and emotion choked his voice.

Devaraja Mudaliar in Day by Day with Bhagavan (Dt. 12.12.1945)

Of the 649 poems of the Tamil Arunachala Puranam, often referred to by Bhagavan Ramana, about 170 are set to various types of music and are sung by singer Prabhaker. The same is uploaded here with relevant texts in pdf format in Tamil, Telugu, and English.

Ramana Gita

Ramana Gita

Sri Ramana Gita (Sanskrit), composed by Ganapati Muni (Nayana), is a book of instruction by Bhagavan Ramana Maharshi in the form of aphorisms revealing the Jnana, Bhakti, Karma, Mantra, and Raja yogas. The instructions were communicated on different occasions to various devotees at different gatherings between 1913 and 1917, when Bhagavan was residing up the Arunachala Hill.

This Gita is essentially a practical guide. By following the simple instructions here given, a true seeker of self-realization will definitely make significant progress. It was initially published in 1935 and has been republished and translated into many languages.

For easy access to the main content, the Sanskrit verses with transliteration and translation in English, Tamil, and Telugu (audio and text in pdf) are provided here as follows:

Audio: Sanskrit- 75 min; English- 78 min; Tamil- 62 min; Telugu- 68 min.

Ramana Gita

Download

Play Online

Chapter 1-9 (Sanskrit)

00:00
  • Ramana_Gita_San_ch_01_09
    00:00

Chapter 10-18 (Sanskrit)

00:00
  • Ramana_Gita_San_ch10_18
    00:00

Chapter 1-9 (English)

00:00
  • Ramana_Gita_English_ch01_09
    00:00

Chapter 10-18 (English)

00:00
  • Ramana_Gita_English_ch10 _18
    00:00

Chapter 1-9 (Tamil)

00:00
  • Sri_Ramana_Gitai_Tamil_ch01_09
    00:00

Chapter 10-18 (Tamil)

00:00
  • Sri_Ramana_Gitai_Tamil_ch10_18
    00:00

Chapter 1-9 (Telugu)

00:00
  • Ramana_Gita_Telugu_ch01_09
    00:00

Chapter 10-18 (Telugu)

00:00
  • Ramana_Gita_Telugu_ch10_18
    00:00

Pdf Text:

Uma Sahasram

Uma Sahasram

In 1907, Bhagavan Ramana was staying in Virupaksha Cave and Nayana in Mango Tree Cave. On a cold December night, Sunday the 15th, Nayana had been writing for ten days and had completed 700 out of 1000 verses of his masterpiece, Umasahasram. His right thumb got a blister, and he could not hold the pen anymore. But 300 verses still needed to be composed, as they were to be sung the following day in the temple. At 8 p.m., Bhagavan came to Nayana’s place and sat there silently throughout. Nayana sat at the feet of Bhagavan, surrounded by five disciples with pens and paper. Nayana began dictating in quick succession in five different meters while they wrote. By midnight, when the work was completed, Bhagavan asked, “Nayana, have you taken down all that I have said?” With devotion and joy, Nayana touched the feet of Bhagavan and replied, "Yes, Bhagavan, all that you have said has been received”.

The sound recording of the first 300 slokas of Umasahasram was released at Sri Ramanasramam on October 7th; another 400 on November 26th; and the balance of 300 slokas were released on December 15th, the day and date Nayana started and finished, respectively, the composition of Umasahasram 112 years ago.

Uma Sahasram

Download

Play Online

Stuti

00:00
  • 00_Stuti
    00:00

A_introduction

00:00
  • 01_A_introduction
    00:00

Vyomasareera Sthreeroopa cha

00:00
  • 01_Vyomasareera_Sthreeroopa_cha
    00:00

Sargaadhi Varnanam

00:00
  • 02_Sargaadhi_Varnanam
    00:00

Sasareeraayaacha Saadhanam

00:00
  • 03_Sasareeraayaacha_Saadhanam
    00:00

Aadhyaathmika Vibhoothaya

00:00
  • 04_Aadhyaathmika_Vibhoothaya
    00:00

Parinaya

00:00
  • 05_Parinaya
    00:00

Mahaabhaagyam

00:00
  • 06_Mahaabhaagyam
    00:00

Vyomasareera Maathrukaadhi Vibhoodhyascha

00:00
  • 07_Vyomasareera_Maathrukaadhi_Vibhoodhyascha
    00:00

Charithrathryam

00:00
  • 08_Charithrathryam
    00:00

Mandhahaasa

00:00
  • 09_Mandhahaasa
    00:00

Kesaadhi Paadhaantha Varnanam

00:00
  • 10_Kesaadhi_Paadhaantha_Varnanam
    00:00

Paadhaadhi Kessantha Varnanam

00:00
  • 11_Paadhaadhi_Kessantha_Varnanam
    00:00

Srungaara Varnanam

00:00
  • 12_Srungaara_Varnanam
    00:00

A Introduction 

(Govi & Dr.K.R.Geetha) 01

00:00
  • 13_A_Introduction_-Govi_-_Dr.K.R.Geetha-_01
    00:00

Kataaksha

00:00
  • 14_Kaali_Gauri_Kundalinee_cha
    00:00

Kaali Gauri Kundalinee cha

00:00
  • 15_Sakte_Swaagatam
    00:00

Sakte Swaagatam

00:00
  • 15_Sakte_Swaagatam
    00:00

Adhyaathmam 

Shakthi Vaibhavam

00:00
  • 16_Adhyaathmam_Shakthi_Vaibhavam
    00:00

Madhakaree Shakthi

00:00
  • 17_Madhakaree_Shakthi
    00:00

Roopa Visheshaa 

Kundalinee samullaasacha

00:00
  • 18_Roopa_Visheshaa_Kundalinee_samullaasacha
    00:00

Dhyeyalalithaaroopam

00:00
  • 19_Dhyeyalalithaaroopam
    00:00

Sarvasaaramayee

00:00
  • 20_Sarvasaaramayee
    00:00

Ardhanaareesvara

00:00
  • 21_Ardhanaareesvara
    00:00

Harakutumbakam

00:00
  • 22_Harakutumbakam
    00:00

Prakeernakam

00:00
  • 23_Prakeernakam
    00:00

Prakeernakam

00:00
  • 24_Prakeernakam
    00:00

Kshetramaala

00:00
  • 25_Kshetramaala
    00:00

Apeethakuchaamba

00:00
  • 26_Apeethakuchaamba
    00:00

Prachanda Chandee

00:00
  • 27_Prachanda_Chandee
    00:00

Renukaadhi Varnanam

00:00
  • 28_Renukaadhi_Varnanam
    00:00

A Introduction

00:00
  • 29_A_Introduction2_
    00:00

Navavidha bhajanam

00:00
  • 29_Navavidha_bhajanam
    00:00

Maanasa Pooja

00:00
  • 30_Maanasa_Pooja
    00:00

Naamavaibhavam

00:00
  • 31_Naamavaibhavam
    00:00

Bhakthiyogascha

00:00
  • 32_Bhakthiyogascha
    00:00

Japo_Yogorpanam_cha

00:00
  • 33_Japo_Yogorpanam_cha
    00:00

Praarthana

00:00
  • 34_Praarthana
    00:00

Praarthana

00:00
  • 35_Praarthana
    00:00

Prakeernakam

00:00
  • 36_Prakeernakam
    00:00

Tattvavichaara

00:00
  • 37_Tattvavichaara
    00:00

Dhasamahavidhya

00:00
  • 38_Dhasamahavidhya
    00:00

Praayo Vyoma Sareeraa

00:00
  • 39_Praayo_Vyoma_Sareeraa
    00:00

Dhaiva_Geetham

00:00
  • 40_Dhaiva_Geetham
    00:00
Danur Month Parayana Songs & Jayanti Parayana Songs

Danur-Maasam & Jayanti Paraayanam

Bhagavan quoted to me on different occasions the following stanzas:

To stay where a Jnani, who is none else but the Supreme Self, stays, is mukthi. He who serves Jnani is so great that I permanently bear on my head his feet. None can equal the spotless and supreme Jnani, neither Siva, Vishnu, nor I, Brahma. Who else can then equal him?

Vishnu will carry on his head all that Jnani wants. Siva will follow him everywhere. While virtuous kings and all the devas do obeisance to the dust of such Jnani’s feet, Brahma will beg that those feet may be placed on his head.
(Brahma Gita and Kurun-thirattu)

– My Recollections by Devaraja Mudaliar

I again visited Ramanasram on the last day of the year, 1942. It was a few days after the Jayanti celebration. In the presence of Bhagavan, Devaraja Mudaliar gently admonished me for failing to attend the Jayanti and added, “I believe that Bhagavan expects us, His children, to gather at His feet, especially on such occasions.” Bhagavan smiled and said, “The feet of Bhagavan are everywhere. So where can we gather except at His feet? Time and space are no barriers to the gathering of hearts”.

* * *
On the last morning before my departure, Bhagavan quoted two verses from Ramana Sannidhi Murai (Tiru-vem-pavai v. 30 and 15) and explained them:
That which is said to be beyond the beyond and is at the same time inside of the inside and shines within the heart itself—the real self—is verily Venkata Ramana. Do adore him.

Like the cock that throws aside the diamond, taking it for a pebble, you may also belittle this Arunachala Ramana, mistaking Him for a common fellow-man while He is really the Supreme Self. So beware!

– GV. Subbaramayya in his Reminiscences.

Danur Maasam, or Maargazhi (mid-December to mid-January), is exclusively devoted to special worship. (Bhagavan Ramana was born in this month.) In all temples in the Tamil land and in Ramanasram, it is a practice to chant the poems of this month (Tirup-paavai and Tiruvem-paavai) in the early morning.

The Ashram Chants are provided here with pdf text & Audio formats.

Danur Maasam Parayana

Download

Play Online

Days  01 – 03

00:00
  • Days 01-03
    00:00

Days  04 – 06

00:00
  • Days 04-06
    00:00

Days 07 – 09

00:00
  • Days 07-09
    00:00

Days 10 -12

00:00
  • Days 10-12
    00:00

Days 13 -15

00:00
  • Days 13-15
    00:00

Days 16 -18

00:00
  • Days 16-18
    00:00

Days 19 – 21

00:00
  • Days 19-21
    00:00

Days 22 – 24

00:00
  • Days 22-24
    00:00

Days 25 – 27

00:00
  • Days 25-27
    00:00

Days 28 – 30

00:00
  • Days 28-30
    00:00

Danur Month Pdf Text:

Bhagavan Jayanti Parayana

Download

Play Online

Jayanti Parayana

00:00
  • Days 28-30 -1-
    00:00

Jayanti Parayana Pdf Text:

Aarti Songs

Aarti Songs

These aarti songs are sung before the Samadhi Shrine of Bhagavan Sri Ramana Maharshi on special occasions.

Aarti Songs

Download

Play Online

Jaya Mangalam

00:00
  • 01_jayamangalam_two_verses
    00:00

 Punarvasu Vannam

00:00
  • Punarvasu_Vannam_by_Dr_Nitya_Anand
    00:00

Vendar Pathigam

00:00
  • 03_vendar_pathigam
    00:00

Arunachala Pancharatnam

00:00
  • 04_Arunachala_Pancharatnam
    00:00

Vazhga Swayam Prakasam

00:00
  • 05_vazhga_swayam_prakasam
    00:00

Bhujaga Bhusanam

00:00
  • 06_bhujaga_bhusanam
    00:00